Ghent Urban Studies Team

bart eeckhout

biography

bart eeckhout Bart Eeckhout is one of the founding members and original researchers of GUST; since 2002 he has been co-director of the team. He holds an M.A. in English and Comparative Literature from Columbia University (1991) and a Ph.D. in American Literature from Ghent University (1998). He taught at Ghent University (1989-2005), Fordham University (Fulbright Visiting Lecturer, Fall 2001), and the Catholic University of Brussels (2002-2004), before moving on to the University of Antwerp in the Fall of 2005. In Antwerp, he is associate professor of English and American Literature as well as director of the interuniversity M.A. in American Studies. His books include Wallace Stevens and the Limits of Reading and Writing (University of Missouri Press), City Life (an anthology of international urban short stories, in Dutch), The Urban Condition (as principal co-author and co-editor at GUST), Literature and Society (co-edited with Bart Keunen for Peter Lang), and Post Ex Sub Dis (as principal co-editor at GUST). He has also guest-edited two special issues of The Wallace Stevens Journal (Fall 2001 & Spring 2006) and co-organized an international conference on Stevens at the Rothermere American Institute in Oxford, U.K. (2005).

selected publications

  • Bart Eeckhout, ed., City Life: Verhalen uit de grote stad. Amsterdam: Meulenhoff; Antwerpen: Manteau, 1996. 310 pp.
  • GUST, auth. & ed., The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Rotterdam: 010 Publishers, 1999. 448 pp. [Co-author of Part One, editor of Part Two.]
  • Bart Eeckhout, “Multiculturalism and the Contemporary American Metropolis: Between the Dissipation of the Center and the Solidification of the Wall.” Multiculturalism and the American Self. Edited by William Boelhower and Alfred Hornung. American Studies Vol. 75. Heidelberg: Universitätsverlag C. Winter, 2000, pp. 283-310.
  • Bart Eeckhout & Bart Keunen, “Whatever Happened to the Urban Novel?” Website of the project Literary and Visual Representations of Three American Cities, 1870s to 1930s, under New York Essays: http://www.3cities.org.uk. November 2000.
  • Bart Eeckhout, “Sign-of-the-Times Square: The Spectacle of Urban Transformation in the 1990s.” The American Metropolis: Image and Inspiration. Edited by Hans Krabbendam, Marja Roholl, and Tity de Vries. Amsterdam: VU University Press, 2001, pp. 42-55.
  • Bart Keunen & Bart Eeckhout, eds., Literature and Society: The Function of Literary Sociology in Comparative Literature. New Comparative Poetics No. 2. Bruxelles-Bern-Berlin-Frankfurt/M-New York-Oxford-Wien: P.I.E.-Peter Lang, 2001. 225 pp.
  • Bart Eeckhout, ed., International Perspectives on Wallace Stevens. 25th Anniversary Issue of The Wallace Stevens Journal, 25:2, Fall 2001, pp. 105-295.
  • Bart Eeckhout, “The ‘Disneyfication’ of Times Square: Back to the Future?” Critical Perspectives on Urban Redevelopment. Edited by Kevin Fox Gotham. Research in Urban Sociology: Volume 6 (JAI - Elsevier Science Press), 2001, pp. 379-428.
  • Bart Eeckhout, Wallace Stevens and the Limits of Reading and Writing. Columbia and London: University of Missouri Press, 2002. 303 pp.
  • GUST, ed., Post Ex Sub Dis: Urban Fragmentations and Constructions. Rotterdam: 010 Publishers, 2002. 312 pp. [Co-editor with Steven Jacobs.]
  • Bart Eeckhout, “The Postsexual City? Times Square in the Age of Virtual Reproduction.” Post Ex Sub Dis: Urban Fragmentations and Constructions. Edited by the Ghent Urban Studies Team (GUST). Rotterdam: 010 Publishers, 2002, pp. 152-181. [A strongly abbreviated version of this essay appeared in Finnish as “Postseksuaalinen kaupunki? Times Square virtuaalisen tuotannon aikakaudella,” Kulttuurivihkot, Numero 4, 2003, pp. 43-50. A less abbreviated version appeared in Taking Up Space: New Approaches to American History, ed. Anke Ortlepp and Christoph Ribbat (Trier: WVT, 2004), pp. 199-216.]
  • Bart Keunen & Bart Eeckhout, “Whatever Happened to the Urban Novel? New Perspectives for Literary Urban Studies in the Era of Postmodern Culture.” Postmodern New York: Transfiguring Spaces – Raum-Transformationen. Herausgegeben von Günter H. Lenz und Utz Riese unter Mitarbeit von Jutta Müller. Heidelberg: Universitätsverlag Winter, 2003, pp. 53-69.
  • Bart Eeckhout, “Globalizing, Gendering, and Queering the Literary Motif of the Arrival in the Big City: An Analysis of Recent Short Stories Set in New York City.” Postmodern New York: Transfiguring Spaces – Raum-Transformationen. Herausgegeben von Günter H. Lenz und Utz Riese unter Mitarbeit von Jutta Müller. Heidelberg: Universitätsverlag Winter, 2003, pp. 71-87.
  • Bart Eeckhout, “Canon Formation in a Multicultural Metropolis: New York’s ‘One Book, One City’ Program.” Reading Without Maps: Cultural Landmarks in a Post-Canonical Age. Edited by Christophe den Tandt. New Comparative Poetics No. 17. Bruxelles-Bern-Berlin-Frankfurt/M-New York-Oxford-Wien: P.I.E.-Peter Lang, 2005, pp. 239-253.
  • Bart Eeckhout & Edward Ragg, eds., Wallace Stevens and British Literature. Special Issue of The Wallace Stevens Journal, 30:1, Spring 2006, pp. 1-124.
  • Bart Eeckhout, “The Point of Getting Lost: Critical Reflections on a Soundwalk™ through Times Square.” CinematoGraphies: Fictional Strategies and Visual Discourses in 1990s’ New York. Herausgegeben von Günter H. Lenz, Karl-Heinz Magister und Dorothea Löbbermann. 2006. Forthcoming.
  • Bart Eeckhout, “Stevens and Philosophy.” The Cambridge Companion to Wallace Stevens. Edited by John N. Serio. Cambridge: Cambridge University Press. Forthcoming, January 2007.
  • Bart Eeckhout, Bart Keunen, and Jeroen Lievens, “Stadsliteratuur: van volvet naar lite.” De stad als trope—Stadsliteratuur in de Lage Landen en Europa. Thematic issue of Spiegel der Letteren edited by GUST. Forthcoming.
  • Bart Eeckhout, “Why Would the Spatial Be So Special? A Critical Analysis of the Spatial Turn in American Studies.” RSA Journal. Forthcoming.

Complete Publications

1. Author or co-author of books

  • Voorspel. Gids voor een klassieke cd-collectie. Amsterdam/Antwerpen: Uitgeverij Atlas, 1997. 271 pp. ISBN 90-254-2232-2. (Including CD produced by EMI Classics.)
  • Wallace Stevens and the Limits of Reading and Writing. Columbia and London: University of Missouri Press, 2002. 303 pp. ISBN 0-8262-1427-4.
  • De planeet op de tafel: 101 gedichten van Wallace Stevens. Samenstelling, vertaling, commentaar: Bart Eeckhout. Amsterdam/Antwerpen: Uitgeverij Atlas. Forthcoming.

2. Books as editor or co-editor

  • City Life. Verhalen uit de grote stad. Samengesteld en ingeleid door Bart Eeckhout. Amsterdam: Meulenhoff; Antwerpen: Manteau, 1996. 310 pp. ISBN 90-223-1401-4 (Belgium); 90-290-6002-6 (Netherlands). [Stories and texts by Manuel Vázquez Montalbán, Irene Dische, Mavis Gallant, Georges Perec, Juan Goytisolo, Donald Barthelme, Tama Janowitz, Pedro Almodóvar, Pickles, Pier Vittorio Tondelli, Julio Cortázar, John Edgar Wideman, Bodo Morshäuser, Hans Joachim Schädlich, Ernst Jandl, Bodo Kirchhoff, Chen Cun, Karl Taro Greenfeld, Manuel Vicent, Doris Lessing, and Roland Barthes.]
  • The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Written and Edited by the Ghent Urban Studies Team (GUST) (Project Directors: Dirk De Meyer and Kristiaan Versluys. Collaborators: Kristiaan Borret, Bart Eeckhout, Steven Jacobs, and Bart Keunen). Rotterdam: 010 Publishers, 1999. 448 pp. ISBN 90-6450-355-9.
  • Literature and Society: The Function of Literary Sociology in Comparative Literature. Edited by Bart Keunen and Bart Eeckhout. New Comparative Poetics No. 2. Bruxelles-Bern-Berlin-Frankfurt/M-New York-Oxford-Wien: P.I.E.-Peter Lang, 2001. 225 pp. ISBN 90-5201-950-9.
  • International Perspectives on Wallace Stevens. Edited by Bart Eeckhout. 25th Anniversary Issue of The Wallace Stevens Journal, Vol. 25, No. 2, Fall 2001, pp. 105-295. ISSN 0148-7132.
  • Post Ex Sub Dis: Urban Fragmentations and Constructions. Edited by the Ghent Urban Studies Team (GUST). Rotterdam: 010 Publishers, 2002. 312 pp. ISBN 90-6540-478-4.
  • The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Chinese translation published by China Water Power Press (see www.waterpub.com.cn), 2005. 531 pp. ISBN 7-5084-2530-8.
  • Wallace Stevens and British Literature. Edited by Bart Eeckhout and Edward Ragg. Special Issue of The Wallace Stevens Journal, Vol. 30, No. 1, Spring 2006, pp. 1-124. ISSN 0148-7132.

3. Chapters and articles in books

a) Chapters

  • “Alan Hollinghurst.” Post-war Literatures in English: A Lexicon of Contemporary Authors. Edited by Hans Bak, Geert Lernout, Richard Todd, and Wil Verhoeven. Groningen: Martinus Nijhoff, 1988. Supplement 45 (September 1999), pp. 1-17, A-1, B-1.
  • “Chapter One: Space” (with Steven Jacobs). The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Written and Edited by the Ghent Urban Studies Team. Rotterdam: 010 Publishers, 1999, pp. 14-55.
  • “Chapter Two: Community” (with Steven Jacobs). The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Written and Edited by the Ghent Urban Studies Team. Rotterdam: 010 Publishers, 1999, pp. 56-104.
  • “Chapter Three: Self” (with Bart Keunen). The Urban Condition: Space, Community, and Self in the Contemporary Metropolis. Written and Edited by the Ghent Urban Studies Team. Rotterdam: 010 Publishers, 1999, pp. 106-152.
  • “Alan Hollinghurst (1954-).” Engelstalige Literatuur na 1945. Deel 1: Proza: De Britse Eilanden. Edited by Elke D’hoker and Ortwin de Graef. Leuven: Uitgeverij Peeters, 2004, pp. 97-114.
  • “Stevens and Philosophy.” The Cambridge Companion to Wallace Stevens. Edited by John N. Serio. Cambridge: Cambridge University Press. Forthcoming in January 2007.

b) Articles

  • “Wallace Stevens en het eindeloze genot van het spelende denken.” Over literatuur en filosofie. Grensgevallen en gevallen grenzen. Edited by Roland Duhamel. Leuven/Apeldoorn: Garant, 1995, pp. 134-142.
  • “When Language Stops. . . Suspension Points in the Poetry of Hart Crane and Wallace Stevens.” Semantics of Silences in Linguistics and Literature. Edited by Gudrun M. Grabher and Ulrike Jeßner. Heidelberg: Universitätsverlag C. Winter, 1996, pp. 257-270.
  • “Inleiding.” City Life. Verhalen uit de grote stad. Samengesteld en ingeleid door Bart Eeckhout. Amsterdam: Meulenhoff; Antwerpen: Manteau, 1996, pp. 7-15.
  • Entries on Frank (character from “Venetsianka” by Vladimir Nabokov), Edgard Orst (character from The Folding Star by Alan Hollinghurst), and Edna Pontellier (character from The Awakening by Kate Chopin). Encyclopedie van fictieve kunstenaars. Van 1605 tot heden. Samenstelling Koen Brams. Amsterdam/Antwerpen: Nijgh & Van Ditmar, 2000, pp. 105-106, 256-258, 272-274. [Abbreviated book appeared in German translation as Erfundene Kunst. Eine Enzyklopädie fiktiver Künstler von 1605 bis heute. Frankfurt am Main: Eichborn, 2003; English translation due from David R. Godine in Boston.]
  • “Multiculturalism and the Contemporary American Metropolis: Between the Dissipation of the Center and the Solidification of the Wall.” Multiculturalism and the American Self. Edited by William Boelhower and Alfred Hornung. American Studies Vol. 75. Heidelberg: Universitätsverlag C. Winter, 2000, pp. 283-310.
  • “Whatever Happened to the Urban Novel?” (wih Bart Keunen). Website of the project Literary and Visual Representations of Three American Cities, 1870s to 1930s, under New York Essays: http://www.3cities.org.uk. Publication date November 2000. Peer reviewed.
  • “Sign-of-the-Times Square: The Spectacle of Urban Transformation in the 1990s.” The American Metropolis: Image and Inspiration. Edited by Hans Krabbendam, Marja Roholl, and Tity de Vries. Amsterdam: VU University Press, 2001, pp. 42-55.
  • “The Postsexual City? Times Square in the Age of Virtual Reproduction.” Post Ex Sub Dis: Urban Fragmentations and Constructions. Edited by the Ghent Urban Studies Team (GUST). Rotterdam: 010 Publishers, 2002, pp. 152-181. [A strongly abbreviated version of this essay appeared in Finnish as “Postseksuaalinen kaupunki? Times Square virtuaalisen tuotannon aikakaudella”, Kulttuurivihkot, Numero 4, 2003, pp. 43-50. A less abbreviated version appeared in Taking Up Space: New Approaches to American History, ed. Anke Ortlepp and Christoph Ribbat (Trier: WVT, 2004), pp. 199-216.]
  • “Whatever Happened to the Urban Novel? New Perspectives for Literary Urban Studies in the Era of Postmodern Culture” (with Bart Keunen). Postmodern New York: Transfiguring Spaces – Raum-Transformationen. Herausgegeben von Günter H. Lenz und Utz Riese unter Mitarbeit von Jutta Müller. Heidelberg: Universitätsverlag Winter, 2003, pp. 53-69.
  • “Globalizing, Gendering, and Queering the Literary Motif of the Arrival in the Big City: An Analysis of Recent Short Stories Set in New York City.” Postmodern New York: Transfiguring Spaces – Raum-Transformationen. Herausgegeben von Günter H. Lenz und Utz Riese unter Mitarbeit von Jutta Müller. Heidelberg: Universitätsverlag Winter, 2003, pp. 71-87.
  • “Inleiding.” De mooiste van Wallace Stevens. Vertaald door Peter Nijmeijer, in een redactie van Koen Stassijns en Ivo van Strijtem, ingeleid door prof. dr. Bart Eeckhout. Tielt/Amsterdam: Lannoo/Atlas, 2003, pp. 5-19.
  • “Canon Formation in a Multicultural Metropolis: New York’s ‘One Book, One City’ Program.” Reading Without Maps: Cultural Landmarks in a Post-Canonical Age. Edited by Christophe den Tandt. New Comparative Poetics No. 17. Bruxelles-Bern-Berlin-Frankfurt/M-New York-Oxford-Wien: P.I.E.-Peter Lang, 2005, pp. 239-253.
  • “Disinheriting the Future? Nonsense and Pure Music after Wallace Stevens.” On the Sound(s) and Image(s) of Contemporary Poetry: An American Connection. Edited by Jelle Dierickx. Brussels: KVAB, 2005, pp. 13-26.
  • “The Point of Getting Lost: Critical Reflections on a Soundwalk™ through Times Square.” CinematoGraphies: Fictional Strategies and Visual Discourses in 1990s’ New York. Herausgegeben von Günter H. Lenz, Karl-Heinz Magister und Dorothea Löbbermann. 2006. Forthcoming.
  • “Wallace Stevens’ Poetry of Resistance.” Modernism Revisited: Transgressing Boundaries and Strategies of Renewal in American Poetry. Edited by Viorica Patea and Paul Scott Derrick. Amsterdam: Rodopi. 2006. Forthcoming.

4. Articles in journals and yearbooks

a) Peer-reviewed international journals and yearbooks

Articles
  • “Art and Literature in Environmental Education: two research projects” (with Ronald Soetaert and Luc Top). Environmental Education Research, Vol. 2, No. 1, 1996, pp. 63-70.
  • “De la musique avant toute chose?” Filter: tijdschrift voor vertalen en vertaalwetenschap, jg. 3, nr. 1, mei 1996, pp. 69-75.
  • “Of Pears, Oxen, and Mediterranean Landscapes: Three Stevensian Ways of (Un)Painting the Thing Itself.” The Wallace Stevens Journal, Vol. 23, No. 1, Spring 1999, pp. 3-26.
  • “The ‘Disneyfication’ of Times Square: Back to the Future?” Critical Perspectives on Urban Redevelopment. Edited by Kevin Fox Gotham. Research in Urban Sociology: Volume 6 (JAI - Elsevier Science Press), 2001, pp. 379-428.
  • “Preface: (Re)Globalizing Stevens.” International Perspectives on Wallace Stevens. Edited by Bart Eeckhout. 25th Anniversary Issue of The Wallace Stevens Journal, Vol. 25, No. 2, Fall 2001, pp. 107-110.
  • “A Translator’s Experience with the Transformations of Wallace Stevens’ Poetry.” The Wallace Stevens Journal, Vol. 27, No. 2, Fall 2003, pp. 173-188.
  • “How Dutch Was Stevens?” The Wallace Stevens Journal, Vol. 29, No. 1, Spring 2005, pp. 34-43.
  • “Introduction” (with Edward Ragg). Wallace Stevens and British Literature. Edited by Bart Eeckhout and Edward Ragg. Special Issue of The Wallace Stevens Journal, Vol. 30, No. 1, Spring 2006, pp. 3-4.
  • “Stadsliteratuur: van volvet naar lite” (with Bart Keunen and Jeroen Lievens). De stad als trope—Stadsliteratuur in de Lage Landen en Europa. Thematic issue of Spiegel der Letteren edited by GUST. Forthcoming.
  • “Why Would the Spatial Be So Special? A Critical Analysis of the Spatial Turn in American Studies.” RSA Journal. Forthcoming.
Reviews
  • [Christine Pagnoulle, David Jones: A Commentary on Some Poetic Fragments. Cardiff: University of Wales Press, 1987.] English Studies, Vol. 70, No. 2, April 1989, pp. 169-170.
  • [Humphrey Carpenter, A Serious Character: The Life of Ezra Pound. London: Faber & Faber, 1988.] Revue Belge de Philologie et d’Histoire/Belgisch Tijdschrift voor Filologie en Geschiedenis, LXX, 1992, 3, pp. 851-853. [In English.]
  • [Boris Ford, gen. ed., American Literature. Harmondsworth: Penguin, 1988; The New Pelican Guide to English Literature, 9.] Revue Belge de Philologie et d’Histoire/Belgisch Tijdschrift voor Filologie en Geschiedenis, LXX, 1992, 3, pp. 862-864. [In English.]
  • [Rudolf Haas, ed., Amerikanische Lyrik. Perspektiven und Interpretationen. Berlin: Erich Schmidt Verlag, 1987.] Revue Belge de Philologie et d’Histoire/Belgisch Tijdschrift voor Filologie en Geschiedenis, LXX, 1992, 3, pp. 864-866. [In English.]
  • [Anette Degott-Reinhardt, Norman MacCaigs lyrisches Werk: Eine formanalytische Untersuchung. Frankfurt am Main: Peter Lang, 1994.] English Studies, Vol. 77, No. 2, March 1996, pp. 201-203.
  • [Wallace Stevens, Een blauwdruk voor de zon: The Man with the Blue Guitar; Notes toward a Supreme Fiction. Vertaald door Rein Bloem. Amsterdam: Athenaeum—Polak & Van Gennep, 1997.] The Wallace Stevens Journal, Vol. 22, No. 2, Fall 1998, pp. 177-181.
  • [Alain Suberchicot, Treize façons de regarder Wallace Stevens: Une écriture de la présence. Paris & Montréal: L’Harmattan, 1998.] The Wallace Stevens Journal, Vol. 23, No. 2, Fall 1999, pp. 207-210.
  • [Max Page, The Creative Destruction of Manhattan, 1900-1940. Chicago & Londen: The University of Chicago Press, 1999.] Archis: Tijdschrift voor architectuur, stad en beeldcultuur / Magazine for architecture, city and visual culture, nr. 10, oktober 2000, pp. 86-88. [In Dutch and English.]
  • [Michel Delville, The American Prose Poem: Poetic Form and the Boundaries of Genre. Gainesville: University Press of Florida, 1998.] English Studies, Vol. 81, No. 6, December 2000, pp. 604-605.
  • [Fabio Cleto, ed., Camp: Queer Aesthetics and the Performing Subject. Edinburgh: Edinburgh University Press, 1999.] European Journal of English Studies, Vol. 5, No.1, April 2001, pp. 121-123.
  • [Wallace Stevens, Il mondo come meditazione. A cura di Massimo Bacigalupo. Parma: Ugo Guanda, 1998.] International Perspectives on Wallace Stevens. Edited by Bart Eeckhout. 25th Anniversary Issue of The Wallace Stevens Journal, Vol. 25, No. 2, Fall 2001, pp. 291-293.
  • [Christian Calliyannis, La suprême fiction de Wallace Stevens: Une réappropriation de l’ordinaire sur terre. Paris-Budapest-Torino: L’Harmattan, 2001.] The Wallace Stevens Journal, Vol. 27, No. 1, Spring 2003, pp. 154-156.
  • [De mooiste van Wallace Stevens. Vertaald door Peter Nijmeijer. Herentals: Lannoo/Atlas, 2003.] The Wallace Stevens Journal, Vol. 28, No. 2, Fall 2004, pp. 339-341.
Literary translations
  • Wallace Stevens, “Kikkers eten vlinders. Slangen eten kikkers. Varkens eten slangen. Mensen eten varkens” (“Frogs Eat Butterflies. Snakes Eat Frogs. Hogs Eat Snakes. Men Eat Hogs”), “De man op de belt” (“The Man on the Dump”), “De gewone zin der dingen” (“The Plain Sense of Things”). International Perspectives on Wallace Stevens. Edited by Bart Eeckhout. 25th Anniversary Issue of The Wallace Stevens Journal, Vol. 25, No. 2, Fall 2001, pp. 282-284.
Notes
  • “Wallace Stevens in Europe” (with Edward Ragg). PN Review, vol. 32, no. 5, May-June 2006, p. 59.

b) Peer-reviewed Belgian journals and yearbooks

  • “The ‘Perfect Carelessness’ of Poetry: An Analysis of Richard Wilbur’s Quarrel with Edgar Allan Poe in ‘Walking to Sleep.’ ” Studia Germanica Gandensia, vol. 11, 1987, pp. 68-89.
  • “Een analyse van de menselijke eindigheid in de Amerikaanse modernistische poëzie, aan de hand van Wallace Stevens.” Handelingen der Koninklijke Zuidnederlandse Maatschappij voor Taal- en Letterkunde en Geschiedenis, vol. 42, 1988, pp. 93-107.
  • “De regels van goed koningschap. Een lezing van Shakespeares Henry V in het licht van Machiavelli’s Il Principe.” Documenta, jg. 9, nr. 4, 1991, pp. 211-225.
  • “ ‘Amoroso ma non troppo’: The Music of the ‘Sirens’ Chapter in Joyce’s Ulysses.” BELL: Belgian Essays on Language and Literature. Edited by Pierre Michel, Eric Lee, James Gibbs, and Andrew Norris. Liège: Belgian Association of Anglicists in Higher Education, 1992, pp. 37-47.
  • “The Idea of Desire in Canto VI of Wallace Stevens’s Esthétique du Mal.” Restant, jg. XXI, nr. 4, 1993-1994, pp. 67-86.
  • “Exiles: een dubbele bespreking.” Documenta, jg. 12, nr. 1, 1994, pp. 4-18.
  • “How Not to Read Homosexuality: The Case of Mike Drayton, a.k.a. Hart Crane.” BELL: Belgian Essays on Language and Literature. Edited by Pierre Michel and Andrew Norris. Liège: Belgian Association of Anglicists in Higher Education, 1994, pp. 27-45.
  • “The Disneyfication of Times Square: What’s in a Name?” Goed geprobeerd: Proeven van essayistiek. Red. Jaak De Vos. Spieghel Historiael, jg. 39, 1999, pp. 39-73.
  • “ ‘Try This on Your Piano’: The Eliot/Pound Notes toward ‘Whispers of Immortality.’ ” Studia Germanica Gandensia, 1, 2001, pp. 3-29.

c) Other publications (further information available upon request)

  • 16 articles (De Vlaamse Gids, Nieuw Wereldtijdschrift, Muziek & Woord, Yang, De Witte Raaf)
  • 65 reviews (Nieuw Wereldtijdschrift, Letteren, Documenta, Ons Erfdeel, The Low Countries, De Morgen)
  • 7 interviews (Nieuw Wereldtijdschrift, Letteren)
  • translations of 51 poems and 24 prose texts (De Vlaamse Gids, Restant, Poëziekrant, Yang, New Comparison, AA files, El Croquis, CLCWeb, Nieuw Wereldtijdschrift, website of Tom Lanoye, various national and international academic books and catalogues)
  • 2 reports (Letteren, EAAS Newsletter)
  • 1 column (website of Klara radio)
  • 1 review essay (Nieuw Wereldtijdschrift)
  • 1 abstract (AISNA Newsletter)